Me and Billy Collins

It’s not for not having people that love me. Not at all. And it’s not for not loving people, including a number whose side I would pick up and fly around the world to be at in a moment’s notice if ever they said the word.

And it’s not for not having a dear who I have no doubt would hide me in his basement or attic in the likes of a WWII occupied Europe. And I the same for him. And probably many more like him, both ways.

So no, it’s not for a lack of love. At all.

But sometimes I feel alone in all the world. Sometimes alone wakes me up. Sometimes it cries me to sleep. Sometimes it sits on my chest with no intention of leaving anytime soon and it’s hard to catch my breath.

OK, before you go feeling sorry for me, let me just say there are plenty of times I don’t feel alone and plenty of other times alone is just fine. After all, I love my space and my time and my books and my many-a-gazillion things, like the weathered wood ladders that I found yesterday on the curb and lugged home and washed and put in my bedroom and living room to hold all manner of scarves and cool fabrics and Humlum and more.

I am a girl who can get endlessly curious which means I am not likely ever bored. And I am a girl who gets off on eavesdropping in cafes. (There, I admitted it). And on buses and subways. (Watch out!) And I can look at practically any person I pass on the street and find at least one, if not ten, ways I relate.

All that to say sometimes I don’t give alone a second thought. But last night was not one of those kinds.

Last night was of a lonely variety. Last night was an alone in all the world alone.

Last night was an I am completely on my own alone. Like push comes to shove it’s just me over here alone. In moments like that it’s good no one around me is desperate for an eye because I’m quite sure I’d hawk my left one to feel connected.

But I’m picky on top of that, because not just any old connection will do. I notice I’m not sleeping with the drunk at People’s Republik. I notice I don’t say yes to anyone and everyone. In fact, I don’t say yes to many things.

And I notice this isn’t really much about sleeping. Or sex. Not necessarily, at least, though of course those would be nice too because sometimes a girl just hankers for body. You know?

OK, who’m I kidding: sometimes a body, and skin, and a neck to nuzzle into, are missed so much my molars ache! And maybe I would hawk my other eye. So yes, that would make me blind right about now.

But all this to say it’s about connection. It’s about feeling gotten. It’s about someone saying, “I’ve so been there.” Wanting someone to really get me.

Now comes the cool part. Ready?

So in all this alone, Billy Collins comes by with his poem Marginalia and I absolutely love Billy Collins. (And no, not Billy Collins in person, silly! It’s called figurative. Or so-to-speak. But come to think, I’d hawk my nose right about now for Billy in person!)

Like his name, Billy Collins is an everyday kind of guy: like you, like me. He talks about things like, say, egg salad stains on paper. He’s a disarmingly down-to-earth poet, self-deprecating in the kindest and gentlest of ways.

But most of all I love Billy Collins because he’s so breathtakingly honest. And last night Marginalia is the poem that touched my alone. And while alone didn’t leave, I notice that alone fell asleep in good company and today I woke up to write it down, and maybe you will say that you understand and, maybe even, “I get you, Heidi! I soooo get you!” or “Heidi, want to get a drink?”

(I met Billy Collins, U.S. Poet Laureate from 2001 – 2003, at a reading a few years ago. You can read about that evening here if you’d like.)

Adage (Billy Collins)

When it’s late at night and branches
are banging against the windows,
you might think that love is just a matter

of leaping out of the frying pan of yourself
into the fire of someone else,
but it’s a little more complicated than that.

It’s more like trading the two birds
who might be hiding in that bush
for the one you are not holding in your hand.

A wise man once said that love
was like forcing a horse to drink
but then everyone stopped thinking of him as wise.

Let us be clear about something.
Love is not as simple as getting up
on the wrong side of the bed wearing the emperor’s clothes.

No, it’s more like the way the pen
feels after it has defeated the sword.
It’s a little like the penny saved or the nine dropped stitches.

You look at me through the halo of the last candle
and tell me love is an ill wind
that has no turning, a road that blows no good,

but I am here to remind you,
as our shadows tremble on the walls,
that love is the early bird who is better late than never.

(from Ballistics by Billy Collins 2008 Random House)

Check out my blog entries related to Billy Collins: Me and Billy Collins and Laughing with Billy Collins

Marginalia (Billy Collins)

(Tonight I had the joy of hearing Billy Collins, U.S. Poet Laureate, read. You can read about it here.)

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O’Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive—
“Nonsense.” “Please!” “HA!!”—
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote “Don’t be a ninny”
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls “Metaphor” next to a stanza of Eliot’s.
Another notes the presence of “Irony”
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
hands cupped around their mouths.
“Absolutely,” they shout
to Duns Scotus and James Baldwin.
“Yes.” “Bull’s-eye.” “My man!”
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written “Man vs. Nature”
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page—
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake’s furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents’ living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

a few greasy looking smears
and next to them, written in soft pencil—
by a beautiful girl, I could tell,
whom I would never meet—
“Pardon the egg salad stains, but I’m in love.”

—from “Picnic, Lightning

Laughing with Billy Collins

Tuesday, 1 November 2005
Cambridge, MA

Tonight I feel lucky to be living in Cambridge. The rents might be higher than most places in the country and it gets mighty cold for the winter which lasts much more than the three months allotted to it by the calendar… But where else could I just walk down the street to the auditorium of a museum within the ivy halls of the big H and hear a U.S. Poet Laureate give a reading.

Afterwards, I sat for some time in the auditorium, until it was empty but for me and the chairs, hardly even noticing the folks filing past me on their way out. I just sat there getting acquainted with more of his poems, relishing the place his reading had put me in.

By the time I left the room, the cue for autographs was quite short and I said, why not. With a grin on my face I pulled out my Picnic, Lightning and asked Mr. Collins if he’d sign the margin of his poem “Marginalia.” (Yes, I amuse myself).

Billy Collins is very funny. He has a disarming, self-deprecating humor that pokes fun at the endless introspection of the poet. But the funniest moment of the whole evening has to have been during the Q & A, when a brave young undergrad—probably English Lit or some such major—was called on way in the back of the room. After the blah blah blah introduction to his question (Harvard students do so love to hear themselves talk), he got to the meat, and I quote:

“So, what’s your opinion on death?”

It was the best. An explosion of booming belly laughter rolled and rolled through the room until people were all but gasping for their breath. And then Billy Collins, kind and unassuming if still chuckling, answered that he really doesn’t like death all that much, but that without it there really would probably be no such thing as poetry since a good 96 % of it is, indeed, about mortality, dying and impermanence.

Oh, I needed a laugh today and I got one… I needed honest words today, and I got them. I needed rich imagery, and I found it. I needed to not be alone all day, and I wasn’t. I needed to write this tonight, and so I do.

Goodnight, whoever You are out there who reads my musings. Sleep tight and may your dreams be filled with laughter.